I don't simply write for the sake of writing like some members here do... except for Madhumati and Yahudi none of his films were commercially very successful. In fact I recall an interview conducted by DD with his wife and son after the death of Bimal Roy, where they stated that they could hold on to their house in Mumbai which was mortgaged because of Madhumati and its success , whereas for Bimal Roy it was a come down to make a film like Madhumati since it had all the elements that would make sure that it would succeed in the box office but id not have his real stamp on it.
Though Bimal Roy was already something of a legend in the film world by this time, his films had not been commercially altogether successful. The recent documentary film (2007) by his son Joy Roy, Remembering Bimal Roy, suggests that he was indifferent to considerations of money and profit. Nevertheless, Madhumati (1958), a much lighter film compared to his earlier films, scripted by Ritwik Ghatak that paired Dilip Kumar with Vyjayantimala, did extraordinarily well at the box office, helped no doubt as well by the memorable lyrics of Salil Chaudhary and Lata Mangeshkar’s beautiful rendering of its songs. Yahudi, also made in 1958, was nearly as successful .
Indiatimes Movies ranked the movie amongst the Top 25 Must See Bollywood Films although it was not a commercial success [2] Devdas was also ranked at Number 2 on University of Iowa's List of Top 10 Bollywood Films by Corey K. Creekmur.[3] The film was also noted for its cinematography and lighting under Kamal Bose that enhanced the emotional torment of the tight-lipped protagonist played by Dilip Kumar.
Do Bigha Zameen cannot be readily categorized with contemporary village epics such Mother India (1957) nor socially-conscience critiques like Shree 420 (1955) andPyaasa (1957). With such a new vision of Indian cinema, stylistically and socially, Do Bigha Zameen hit a broader audience, becoming the first Indian film to win the Prix Internationale at the 1954 Cannes Film Festival.
Do Bigha Zameen so radical and why does everyone now bring it up in discussions of must-see Bollywood films although it was not commercialy successful when it was first released in 1954 ? The film is directed by Bimal Roy, a prominent member of the post-colonialist Bengali intelligentsia, who was directly influenced by another radical film movement sweeping Europe: Italian Neorealism.
(source - wilipedia and others )